Biography

Born in the Berkshire hills of western Massachusetts, Diane taught herself guitar during long winter evenings, her feet perched on a wood-burning stove. She wrote her first songs in high school and began working her way through 100 English Folk Songs, a classic collection of ballads. She was captivated by the beauty and power of the melodies, and the way the words provide a glimpse into the past.

Diane moved to the Boston area to earn a degree in elementary education at Boston College, then a graduate degree in communications at Lesley College. She honed her stagecraft at the wealth of folk venues in the Boston area. Her first cassette of six original songs received much local radio airplay. She supported herself as a freelance editor, working for various publishers and magazines in the Boston area.

In the late 1980's, Diane studied guitar with 12-string master Tracy Moore and polished her vocal skills at the Longy School of Music in Cambridge. She created some striking songs on the lap dulcimer that make the most of its quirky charm. She also fell for the quirky charm of her husband, John.

The First CD

In 1993, BCN Records released Diane's CD Shoes That Fit Like Sand, which includes one of her most popular songs, "Raisin Pie." Also in 1993 Diane joined the Gloucester Hornpipe & Clog Society, a band that performs maritime, Celtic, and Colonial music on a wealth of traditional instruments (fiddle, flute, guitar, accordion, banjo, whistle, dulcimer, mandolin, washtub bass, bones, spoons, bodhran and a unique instrument called the pogo-cello). In 1995, the Wizmak label released the band's CD Airs From Who Knows Where.

In 1994, Diane recorded four songs for a BCN Records compilation CD, The Songs of Jack Hardy. That year took her to South Carolina for a concert arranged by a devoted fan.

In 1996, BCN Records released Gathered Safely In. The title cut uses the classic form of repeated second and fourth lines to encourage singing along. Other cuts included a dark take on Steve Goodman's "Lookin' for Trouble," sparked by an amazing harmonica solo by Chris Turner, and an intense dulcimer version of "Black is the Color (of My True Love's Hair)." Diane sings in French, interprets some Scottish songs with words by Robert Burns, and soothes the listener with "All Through the Night." The most surprising cut is "Heard It Through the Grapevine" -- yes, that one -- which after Tarazification becomes a folk song.

In 1999, Diane released a holiday CD, Hope! Says the Holly. She chose her favorite songs for mid-winter, such as a wry version of "The Twelve Days of Christmas," complete with sound effects. She added three new verses to the classic "In the Bleak Midwinter," transforming it into a Solstice song. She used the African calimba or thumb piano to accent "People, Look East" and "Hark the Herald Angels Sing."

Branching Out

Reflecting her love of history, Diane created a program called A Silver Dagger: Exploring Women's History Through Folk Songs. She sings very old songs in historic clothing, using the clues in ballads and folk songs to explore the lives of women in centuries past. In 2008, she recorded a companion CD of songs from the program.

When her daughter was about four, Diane began leading sing-alongs for babies and toddlers, a joyful activity she pursued for ten years at various libraries. For six years she led her own sing-alongs in a rented room at an Arlington church, and sold many copies of her album, "Toddler Songs". She was often recognized and beamed at by children of a certain age while out and about in Arlington.

Diane took a break from the Gloucester Hornpipe & Clog Society to record her fourth solo CD, Beat of the Heart, which came out in 2003. Another wide-ranging trip through time, the songs hail from Quebec, Ireland, England, and the USA, including a bouncy version of "Froggie Went a-Courtin'."

In 2005, Diane rejoined the Gloucester Hornpipe & Clog Society. The band held July 4 weekend concerts on Georges Island and they brought magic to historical events in Lexington and other towns. Summer concerts became a specialty, brightening summer evenings with songs, stories, and original compositions. Diane's "The Lady in Black" tells the story of the ghost of Fort Warren on Georges Island, and appears on the band's 2008 album "Liberty!" (which Diane produced).

New Works for Groups

In 2005, Diane created an interactive Solstice service,The Longest Night, for her church, First Parish UU of Arlington. She rehearsed and led a group of fifty children in reciting and adding sound and visual effects to her poem about two children lost in the woods who meet a most unusual bear, who takes them on a spiritual journey to encourage the sun to return. Diane wrote and arranged four songs for the event.

In 2006, Diane was commissioned by the choral group In Choro Novo to arrange her song Silver the Moon for four-part harmony. This led to her embarking on arrangements of other Taraz songs for choral groups, including the UUlations, a womens' a cappella group drawn from her church choir (she coined the name).

That same year, Diane satisfied a longtime dream and joined an early music group. She became a member of Vox Lucens, a 12-person Renaissance choir conducted by Jay Lane, which sings glorious a cappella music by Renaissance composers. She participated in the group's 2008 CD "The Rarest of Gems" and performs regularly at churches and halls in the Boston area.

Also in 2006, Diane received a commission to create a quilt of Shaker themes as part of a project created by New England Voices. The project included two concerts, in Arlington and Amherst, and a CD. Diane sang in the chorus, for Shaker songs and modern works inspired by Shaker music, including a new piece commissioned for the event. Diane's quilt hung as a backdrop for the Arlington concert.

In 2009, Diane's tenth CD was released -- 15 tracks of diverse beauty and fun called Inspiration/Tarazification. It showcased Diane's ability to perform compositions by others and make them uniquely her own. A highlight is her composition "Let's Go Canoeing on Lake Chargoggagoggmanchauggagoggchaubunagungamaugg," about an actual lake in Webster, Massachusetts. As always, there's a holiday song -- a shimmering rendition of "O Holy Night" sung in the original French.

Spending Time in the 18th Century

In January 2010, Diane was invited by the Lexington Historical Society to teach colonial-era songs to a group of singers who appear in period dress as guides and reenactors. She researched songs from the time, including many written to promote either rebellion or loyalty to the crown, as the group includes reenactors from both the British and American sides. She creates sheet music for the group, runs weekly rehearsals, and directs them at various events presented by the society.

Inspired by the variety and vitality of the songs brought to the group, Diane created a program similar to her "Exploring Women's History" program, calling it "Songs of the Revolution." She presents this program at museums and historical societies throughout Massachusetts, performing in a gown that she sewed by hand, learning to do so in a workshop in Concord.

In 2010, Diane created a companion CD for that program: Songs of the Revolution a 21-song salute to the music of 1776. Jonathan Gilbert, her colleague in the Gloucester Hornpipe & Clog Society, contributed vocals and played recorders, whistle, mandolin, and viola. The songs, showing many aspects of life in the 1700s, were enjoyed by people at all levels of society -- masters and servants alike -- as the old order was swept away by new ideas of equality and the meaning of liberty.

In 2011, Diane teamed with Jonathan again to create her second holiday CD, The Old New Year. Many of the songs come from Diane's annual holiday concert, which she offers every year in Arlington.

Diane was called on to provide music for other events in Lexington, including the show "In Their Own Words," a depiction of the events of April 19, when the first shots of the Revolutionary War were fired on Lexington Green. She also was a presenter in the Lexington Historical Society's Living History program, performing Colonial music in the barn of the Hancock-Clarke House for visitors from all over the world.

Moving On to the 19th Century

In 2011, Diane provided music for a Veterans' Day event sponsored by the Lexington Historical Society that included Civil War reeenactors. To look the part she hand-sewed a gown from an 1850s pattern (it took over seven yards of reproduction fabric!). She then created a new program called "Home, Sweet Home -- A Civil War Sampler," presenting the stirring music of that poignant and fascinating conflict.

In 2012, she released the companion CD for that program, with the same name. Recording once again at her favorite studio, Straight Up Music, she collaborated with engineer Larry Luddecke and several talented musicians to create a tribute to classics of Americana, the roots of popular American music.

The CD for 2013 was "A Victorian Christmas," an intriguing look at the original versions of many familiar carols. Christmas was not a big deal until the Victorians turned it into the major event of today, creating or reviving many carols and traditions. It's utterly fascinating, and a great deal of fun, to hear the original tune of "Jingle Bells," which was a lot more athletic! The mood ranges from serene to boisterous, with several languages represented.

Diane performed the companion program for "A Victorian Christmas" throughout the Boston area in December. One of her favorite venues was a two-day open house at Longfellow House, where she delighted in performing "I Heard the Bells" in the music room/library of Henry's beautiful home, the site of much heartbreak for him and his family. Visitors delighted in both the music and the sight of Diane in her festive hoop-skirted gown, which fit perfectly in the mid-1800s surroundings.

More Recording!

In 2014, Diane achieved a long-held dream of recording her favorite jazz standards with a backup band of fabulous studio musicians. "Let's Do It!" brought her back to Wellspring Sound in Acton, where she recorded her first few CDs, and the masterful engineering of Eric Kilburn. With Mike Duke on guitar, Peter Tillotson on bass, Steve Langone on drums, and Billy Novick on clarinet, Diane created a divine love-letter to the American songbook, putting her own elegant spin on "Summertime," "Since I Fell For You," "Tiptoe Thru the Tulips," and the title track. There's French, of course, on "Stardust" and "La vie en rose." And then, she presents the absolutely definitive arrangement of "Does Your Chewing Gum Lose Its Flavor on the Bedpost Overnight?"

That same year she produced a CD for the Ululations, a women's a cappella group. The nine women recorded in the St. Anne Chapel at the Bethany House of Prayer, and amazing stone church built in the 1920s that perfectly suited the voices. "When Music Sounds" includes songs Diane wrote and and arranged for the group. She also created the graphics.

The following year also saw two CDs. As director of the Lexington Historical Society Colonial Singers, Diane ran a successful Kickstarter campaign and produced "Now Kiss the Cup!" The group recorded in the historic Taproom of Buckman Tavern, built in 1710, where the Lexington Militia gathered the day the revolution began in 1775. The challenges were many, including a brutal winter in which a series of snowstorms meant the singers had to clamber over towering banks to reach a drafty room not up to keeping the cold outside. The hardy group persevered, though, and the result is a delightful recreation of an evening in a Colonial tavern, complete with crackling fire, clinking tankards, snippets of conversation, and rousing songs those old walls heard in centuries past.

Diane's 2015 recording was "What Is the Wind?" It includes some songs she wrote when she was just a young thing, in her early 20s, along with "Your Truest Friend," her new words for the tune of Londonderry Air (Danny Boy). Peter Tillotson once again played bass; Bronwyn Keith-Hynes offered compelling, captivating fiddle; and Billy Novice added whimsical penny whistle to "Over the Rainbow."

In 2016 Diane released "A Fond Farewell," with both original and classic songs memorializing companions on life's journey. Not meant as her farewell, Diane called on bluegrass fiddle master Darol Anger, Peter Tillotson on bass, and for the first time enjoyed longtime engineer Larry Luddecke's wonderful, bluesy piano. As one reviewer put it, it's "not nearly as depressing as you might expect!" The mood is decidedly upbeat and inspiring.

More History!

In December 2016 Diane debuted a new historic program, "Factory Maids," honoring the generations of workers who labored in New England's textile mills. The location was perfect: the Charles River Museum of Industry and Innovation, the location of the first complete cotton mill in the country. Dressed in turn-of-the- century clothing, Diane accompanied songs created and enjoyed by millworkers on dulcimer and her new parlor guitar.

Diane